Creative Process: Gaultier Challenge

by Mandi Ainsworth on May 16, 2012

Me doing the model pose for my Gaultier challenge pieces

I was really inspired by the Jean Paul Gaultier challenge I took part in on Saturday, and I wanted to pull back the curtain a bit and share some of my creative process. This post is a sort of practical application of the 12 Ways to be Inspired by a Fashion Designer post that I wrote about a couple weeks ago.

On my third grade list of what I want to be when I grow up, “model” was listed along with artist, mechanic, and lawyer. I decided I could still be a model, even if its for my own stuff in the backyard, hehe.

My inspiration: Calligraphy Collection, "Vitrail" dress, haute couture spring/summer 2009

“Vitrail” is French for stained glass window, and I love the way the hard lines of black compliment the soft, airiness of the lace in the dress. Gaultier is known for putting things together that do not seemingly work, but he makes them dance beautifully together in a design. That’s how I decided to use gun shells and pearls together for the earrings.

The shape of the lace made a perfect cuff, and I choose pearls and off-white 15's as embellishments.

I rolled out the lace and fell in love with the shape. It was begging to be a cuff. I wanted to back the lace in black to give it a hardness like the inspiration dress. I found the pearls and 15s at Artful Bead, and I’m glad Lindsay was there to help me with chain and other metal components since I don’t work with them much.

The dye didn't take, so the background became the fabric on the right.

So, my white pellon didn’t soak up the black dye like I was hoping, so I used another black fabric I had on hand. I ironed out the lace and hand-stitched it to the black fabric. I trimmed away the excess fabric, and added snaps, pearl embellishments, picot edging.

close-up of my cuff and earrings

The earrings came together as planned, but I found myself wishing I had more chain. They make a pretty jingling sound when I wear them. Next, I want to experiment with different lengths of chain and maybe add some pearls to the ends. I also want to make a fully embroidered soft cuff with the same shape as the lace cuff.

Off to play…

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12 Ways to be Inspired by a Fashion Designer

by Mandi Ainsworth on May 2, 2012

I am so excited about participating in the Jean Paul Gaultier challenge hosted by the Dallas Bead Society! His exhibit at the Dallas Museum of Art was so inspiring, I went to see it twice! Since you can’t take pictures, I did my best to soak up inspiration and ideas like a sponge. The challenge is to create a piece of jewelry inspired by his designs, and we were given kits of lace, sequins, and shot gun shells as a jumping off point. Not sure where my design will take me, but I’m looking forward to the journey!

My amazingly inspiring coffee table book, The Fashion World of Jean Paul Gaultier: From the Sidewalk to the Catwalk

Here are my top 12 ways you can be inspired by your favorite fashion designer:

  1. Color Palette
  2. This is the most obvious, but look not only at the color choices, but at the proportions of each color. Also the texture and finishes of each color.

  3. Materials
  4. Take a look at what materials are used. maybe the buttons, zippers, or snaps are used in a unique way. You can interpret the fabric texture as well ex. lacy, thick, thin, smooth, rough etc.

  5. Coordinating Piece
  6. Take your favorite design and make a piece of jewelry that would go with it.

  7. Pattern
  8. Interpret their fabric pattern choices in literal and non-literal ways. ex. Gaultier used a lot of plaid in one of his collections, and I created a plaid, flat peyote cuff Maybe a pattern reminds you of a summer garden, so create a piece with that theme.

  9. Use their Muse
  10. Find out what your favorite designer is inspired by, and let those themes inspire you as well. Gaultier was inspired by Paris, fusions of culture that seemingly did not go together, the idea of multi-gendered clothes, and Metropolis.

  11. Styling
  12. Focus on the hair and make up of the model, and ponder what kind of girl she must be. Think about how her shoes or accessories add or take away from the image. Take literal and non-literal cues that inspire you, and create a piece for her.

  13. Cut
  14. Analyze the cut and silhouette of the garment and translate it into your design. ex. wide shoulders, deep v-neck, corset, a-line skirt etc.

  15. Trends
  16. View your favorite designers current collection and see what current trends you can find in their work. Current trends include stripes, pastels, all white, chunky bangles, lace, military, urban jungle/ethnic prints, and this summer we’ll see roaring 20s and track and field themes.

  17. Architecture/Structure
  18. Analyze the way the designer “builds” a garment. Wire, cardboard, pliable metal, flexible plastic, and lightweight glass are all appearing on the catwalk. Notice the fins, exaggerated collars, dramatic headpieces, shaped skirts and sleeves and create a piece inspired by fashion architecture.

  19. Combinations
  20. Analyze how the designer combines elements from different eras and puts his/her own unique twist on it. Create a piece of jewelry with your take on their combinations.

  21. Collections
  22. Fashion designers create in terms of a collection, and this idea opens the door for more designs to be created. For example, you can take a motif or component of a necklace, and recreate it/use it in a new way for a bracelet or earrings. The key in this area is play.

  23. Critique & Edit
  24. Fashion designers get all kinds of feedback and they accept some and dismiss some. Before a garment gets to the runway, the designer will edit out superfluous elements or add elements in to create a more cohesive look. I find the same approach helpful for jewelry designers. Stand back from your work and really look at it objectively. You can also show it to someone whose opinion you trust and who will be gentle with your blossoming idea. It’s good to improve on your idea, but don’t beat yourself up to the point where your piece never sees the light of day. Get it out there and show it off your awesome creativity!

    La Mariée wedding gown, Gaultier haute couture fall/winter 2002-2003 I love to get lost in this design, and I see something new every time I do.

    What do you think? Who’s your favorite fashion designer? Is there another way you get inspiration from him or her that I haven’t mentioned? Please share with us in the comments!

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2-Drop Peyote Cuff Tutorial

by Mandi Ainsworth on March 28, 2012

This project is a great way to learn two drop peyote, use up some of the cubes in your bead stash, and create a cool mod cuff. I decided to go with pink since it’s one of the trending colors for Spring. I hope you enjoy my version of this bracelet!

Supplies:

  • 4mm cubes
  • size 11 seed beads
  • 2 buttons
  • scissors
  • needle and thread of choice

Step 1: Thread your needle onto a comfortable length of thread, and place a stop bead at the end leaving 6 inches of tail. (The tail will be woven into the piece a little later.) Then, string on 2 size 11 seed beads and one cube. Repeat 3 more times, ending with the 4th cube. (shown above)

Step 2: Two-drop peyote stitch is a lot like regular peyote stitch, just use every pair of size 11 seed beads as if it were a single bead. For the first stitch, string on 2 seed beads and pass through the last set of seed beads added in step 1.

Step 3: Pull the thread tight. Tension is very important for this project, so be sure to tighten everything up as you bead along.

Step 4: Continue to peyote, adding 2 seed beads and passing through 2 seed beads until your thread is coming out of the bottom two seed beads.

Step 5: Now add a row of cubes. String on a cube and pass through the “sticky-outie” set of seed beads. Yes, “sticky-outie” is a technical term. ;)

Step 6: Continue to peyote, adding 1 cube and passing through 2 seed beads until your thread is coming out of the set of seed beads at the top of your work.

Step 7: To create the desired pattern, add two rows of seed beads after every row of cubes from now on. For this row, add two seed beads, and pass through a cube.

Step 8: Peyote another row of seed beads. Add 2 seed beads and pass through 2 seed beads. This row is more challenging to weave because the two seed beads you need to go through are between cubes, but it gets easier with practice.

Step 9: Continue the mantra “1 row-cubes, 2 rows-seed beads” until you reach your desired bracelet length. The picture above shows a row of cubes added after step 8.

Step 10: End the bracelet with 1 row of seed beads after your last row of cubes. Weave off your working thread and trim.

Step 11: I like to use a new working thread for the clasp. That way if I have to repair the closure, I don’t have to re-bead half the bracelet in the process. On the other end of the bracelet, weave off the tail thread and weave in a new working thread. Position your thread so it is coming down out of the top cube bead. Add a button between the 1st and 2nd cube bead. Add the other button between the 3rd and 4th cube bead. Go back through the cubes and buttons several time to reinforce. weave in the thread and trim the end.

Step 12: Weave in a new working thread on the other end of the bracelet for the loops. The buttons were added first so the loops can be test-fitted over them. Position your thread so it is coming out the bottom of the 2nd cube. Add 20 beads to start with and go through the top of the cube to create a loop. Test fit the loop over a button, and add or subtract beads so it will fit over the loop easily but snuggly. When you have the right number of beads in the loop, reinforce it several times. Then create the second loop on the 4th cube. Weave off your thread and trim the end.

Congrats, you’re done! I would love for you to share your work with us by adding it to the Bead Circle Facebook Page!

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BSBP Big Reveal

by Mandi Ainsworth on March 3, 2012

So, I’m thinking my entry for the Bead Soup Blog Party may have been a bit ambitious! I clocked 13 hours on this piece yesterday alone, finally hitting the sheets and 3:30am. I got up at 7:30am to add the finishing touches and write my post. I am so proud of the results!

I received a gorgeous lampwork heart created by my lovely swap partner Lynn Bennett. That combined with the scrap of sari and some chain formed the basis of my design, and I sprinkled in the other beads into the bib embroidery section.

Here's what it looked like at 2pm yesterday afternoon.

My beads from Lynn

My sketch

The aftermath of my creation process

I would like to invite you to admire the other pieces created for this swap! Here is the list of participants:

Hostess, Lori Anderson


Special Book Sneak Peeks, Cindy Wimmer

1.  Adlinah Kamsir (Singapore) and Hajer Waheed (Kingdom of Bahrain)
2. Adrienn Lukacs (Hungary) and Agata Grygiel (Poland)
3.  Agi Kiss (Hungary) and Carolien Muller-Genger (the Netherlands)
4.  Agnes Asztalos (Hungary) and B.R. Kuhlman
7.  Alicia Marinache (Canada) and Dita Basu
15.  Bonnie Coursolle (Canada) and Fay Wolfenden (Canada)
16.  Carmel McGinley (Australia) and Tracy Stillman (Australia)

21.  Cheryl Brown (Canada) and Diana Ptaszynski
22.  Christina Stofmeel (the Netherlands) and Eva Kovacs (Hungary)
24.  Cilla Watkins (Canada) and Elaine Robitaille (Canada)
25.  Sabrina Straub (Switzerland) and Kathy Combs
32.  Dee Elgie (UK) and Joanne Lockwood (UK)
33.  Dian Hierschel (Germany) and Eniko Fabian (Austria)
37.  Doris Stumpf (Germany) and Eszter Czibulyas (Hungary)
39.  Elke Leonhardt-Rath (Germany) and Marjolein Trewavas (UK)
41.  Erika Nooteboom (the Netherlands) and Giorgia Rossini (Italy)
43.  Evelyn Duberry (Canada) and Gaea Cannaday
45.  Ginger Bishop (military, Okinawa) and Martina Nagele (Germany)
48.  Helene Goldberg (Australia) and Karen Vincent
54.  Joanna Matuszczyk (Poland) and Julianna Kis (Hungary)
55.  Joanne Tinley (UK) and Michaela Pabeschitz (Austria)
65.  Kristina Johansson (Sweden) and Penny Neville (Canada)
66.  Krisztina Erlaki-Toth (Hungary) and Nicole Keller (Germany)
76.  Lori Finney (Canada) and Marie-Noel Voyer-Cramp (Canada)
78.  Marta Kaczerowska (Poland) and Milla Starchik (Canada)
83.  Michelle Jensen and Sandra Young (Canada)
92.  Rosa Maria Cuevas (Mexico) and Tejae Floyde
93.  Sabine Dittrich (Germany) and Sally Russick
95.  Shanti Johnson and Tracy Mok (Canada)
97.  Sonya Stille and Traci Zeller (Canada)
98.  Stefanie Teufel (Germany) and Tania Hagen (New Zealand)

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BCP 06 | Interview with Marcia DeCoster

by Mandi Ainsworth on February 15, 2012

Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.

A Chorus of Urchins by Marcia DeCoster and the Dallas Bead Society

In this episode, I chat with bead artist and author, Marcia DeCoster. We discuss her 3 keys to a great design, Marcia’s sold out retreat Beading by the Bay, and her grand baby Malayna. We recorded this back in September, so I’m really excited to finally share it with you. I hope you enjoy the interview.

Links

As promised, here is the link to the Rocky Mountain Bead Bazaar information. Registration is not yet available, but will be soon.

More listening options:

What do you think? Marcia’s 3 keys to design are: design inspiration, play, and knowing your stitches. How do you apply these to your own beadwork? Please share with us in the comments below along with any other comments about the podcast. Thank you!

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Bead Soup Blog Party

by Mandi Ainsworth on February 1, 2012

Look what came in the mail today!

My beads from Lynn

I was so excited when I got the email from Lori Anderson that I was an official participant of her 5th Bead Soup Blog Party! I can’t wait to visit a bunch of new bead blogs, network with new people, and see what everyone creates!

Then, I got to “meet” my swap partner Lynn Bennett and we got to know each other through facebook. She creates one-of-a-kind pieces using her own lampwork beads along with a collage of techniques and components. She does bead weaving as well, but those pieces she keeps for herself. I don’t blame her knowing first hand the time it takes. Also, we both love purple.

I received a lavender/copper palette featuring a lampwork heart and accent beads that she made for me! The chain is from Rings N Things and the sari silk is from Designtalentedone on Etsy. Not usually usually the kind of stuff I work with, but I’m excited to add some seed beads and see what happens. I already have a sketch drawn up. Thanks, Lynn!

I decided to send her a cool lampwork bead by Crystal Gilbert and some accent beads and a clasp from The Artful Bead, my fav local bead store. I sent a “crafty” surprise as well. I hope Lynn is inspired by what I sent!

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Tip: Place Your Bead Piles in Logical Order

by Mandi Ainsworth on January 12, 2012

I’ve been working on a spiral rope necklace today, and I noticed something about my process that I think is worth sharing. When I finish playing and finally decide what I want my pattern to be, I place the piles of beads on my mat in logical order. This helps me to bead more efficiently, and here’s why:

Little Mistakes Add Up

When bead piles are in random places all over the mat, little mistakes happen. Sometimes I’ll forget to add the core bead. If the pattern in asymmetrical, I’ll have to recheck my work to see what the order is, and then reverse it. The way that spiral rope is worked means the beads you put on last become first when you take a stitch. I’m using 15/0s, and therefore a smaller needle. So, it’s an extra pain to take off the needle, undo a mistake, re-thread, and start back up again.

Beading Efficiently

With my piles ordered logically, all I have to remember is 1-2-1-2 and bead my piles from left to right. For the example in the picture, I’ll add 1 black 11/0 for the core, 2 purple 15/0s, 1 yellow 11/0, and 2 fuchsia 15/0s for the pattern beads. I have less mistakes and it makes quick work of the project. Remember that beading isn’t a race though, it’s a journey ;)

Give it a Try

Check out my Spiral Rope Necklace Tutorial if you aren’t familiar with the stitch, and try it for yourself. This tip applies to all types of projects, not just this one, and I would love it if you shared your experience with us in the comments below.

What do you think? How do you arrange your bead piles when you bead? Please share with us in the comments!

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Emerge

by Mandi Ainsworth on January 4, 2012

My grandma passed away on December 4, 2011, the morning after my most successful show to date. She was my biggest fan, supporter, and inspiration. She even started my beading career by giving me her beading loom when I was 12. My grandma was an amazing source of creative inspiration. She taught me to sew and cross stitch, and made sure I had access to all the craft books and craft supplies I could ever need. She gardened, cooked from scratch, made my wedding dress and all the banners and linens for her church. She often joked that she was busier in retirement than she was while working. She told everyone she knew about my business and how proud she was of me. I try not to think about how much I miss her, and instead try to think about how happy she must be to be reunited with my grandpa, who passed away the month before on November 6, 2011.

My grandpa had a huge influence on my life as well. From a young age he would take me on visits to the Texas A&M campus and tell me about what it was like when he went there. A&M was the only school I applied to and it was a dream come true to walk in his footsteps. When it came time to apply for jobs and face the real world he taught me an important life lesson: never settle. With an accounting degree in hand, he took his first job and did what was expected of him. The only problem was that he was completely miserable. He knew he was meant for something else, something more. He ended up taking down bad guys for the Treasury Department using those same accounting skills. A year out of college in my own career, I found myself in the same situation: miserable. I was trying to fit myself into a mold that wasn’t meant for me. His example helped me make the change that led me to where I am today.

Word of the Year: EMERGE

This time of year I normally write a resolution or two, but I’ve decided to do a Word of the Year instead. A word is something that stirs my soul versus resolving to do something I “should” already be doing. My word of 2012 is Emerge. I feel such gratitude for having had these two amazing people in my life. It’s like a positive energy that’s pushing me to discover who I am as an artistic entrepreneur. I’m going to do everything I can to make my dreams come true, and know my grandparents and smiling down on me.

Resource: If you would like some guidance for choosing your own word of the year, check out Christine Kane’s Free Word-of-the-Year Discovery Tool.

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Bead-It-Forward bead-quilt project

by Mandi Ainsworth on November 22, 2011

designed by Jane Danley Cruz


Jeanette Shanigan has been the brains and woman power behind the bead-quilt project since 2006. For the unfamiliar, Jeanette collected all our 1.5 X 1.5 inch beaded squares and pieced them together to create quilts that were then auctioned at The Bead & Button Show. These quilts have raised over $18,000 for breast cancer research!

The bead-quilt theme for 2011–2012 is “Birds – flocking together to fund breast cancer research.” Bead & Button has an expanded role in the project this year, and you can find guidelines, designs, and the submission form on their website. I’ve participated in the past, and it feels great to be able to raise money for a worthy cause by doing something that I love. I want to invite you to participate as well, so please get your completed squares in by the deadline: March 1, 2012.

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5 Tips for Maximizing Your Show Profits

by Mandi Ainsworth on October 27, 2011

If you sell your beadwork like I do, you probably have several shows coming up this holiday season. I have three this year: a shopping soiree hosted by a specific neighborhood, an art show with the Craft Guild of Dallas, and a private trunk show and celebration in my home studio. These are my 5 best tips for selling at shows, and it is my pleasure to share them with you today.

  • Pull Marketing- Before the event, you want to pull people to your booth by offering something cool. I have done a show in that neighborhood before, so I emailed my list with a special certificate for a free gift when they print it out and stop by my booth. I’ve already received excited responses, and I enjoy creating that goodwill. They will show off the earrings whether they buy anything else or not. I will also raffle off a variety of items at my private trunk show. If you don’t have an email list, build one by offering a giveaway to those who sign-up. Your list will serve you well if you use it.

  • Various price Points- I know you have a wow piece that you think would never sell because of the price. Put it out there anyway with the proper price! It will help sell your other items because it puts the other price points in perspective for the shopper. Also have a “Gifts under $20″ section. This section has paid for my booth fee on at least one occasion.

  • Display- Transform your booth into a fancy boutique. I use bed risers to lift my tables so shoppers don’t have to bend down to look at things. My table cloths hit the floor to hide the risers and boxes. Use different levels on top of the table to add interest. Invest in good displays so when shoppers lift a tag and read $120, the whole setup already reads “I’m worth it.” This includes the packaging as well. Linda Fass has a beautiful display, and a wonderful example to learn from.

  • Best Sellers- Figure out what your hot items will be. I did this by showing a group of artist friends my latest work. They got all excited about a particular bracelet design, so that’s what I made more of and made sure it was prominently displayed. After the next show I only had 2 left, and custom orders for 2 more.

  • Smile and Be Confident- Do this even if you don’t do anything else. It’s important to interact with your customers and sell. The word “selling” sounds so scary to artists, but really it’s just telling customers your story, the story behind your work, about your techniques and materials, and answering their questions. It took me quite a bit of practice to say “This one is $120″ without a hint of question mark in my voice, but when I did, my piece sold. Know you’re worth it, and the next thing you’ll hear is “I’ll take it!”

I hope these tips have helped and good luck with your shows this season. If you have any questions or additional tips to share, leave a comment below. Thanks!

Additional Resources:
More great tips from Festival Network Online
A Great Big Craft Show Checklist from Handmadeology

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